The movies that we remember the most are often the ones that have had a profound impact on us. They may have made us laugh, cry, think, or feel something that we had never felt before. They may have introduced us to new worlds or cultures, or taught us something about ourselves or the world around us. So here is the list of the Most Memorable Films Of All Time
Au hasard Balthazar – HBO Max
Another classic by a great French director, Robert Bresson, “Au hasard Balthazar” is possibly one of the most emotional films ever made. Maybe because it’s about the innocence of an often-abused animal… Maybe because it’s a film not acted by professional actors. It gains a realism that simply overwhelms you and compels you to experience intense emotions.
Balthazar is a donkey that passes through the hands of many people throughout his life, some gentler and kinder, others cruel or desperate. In this way, he experiences humanity at its best and worst. As director Jean Luc Godard said, you’ll be completely amazed by this film because it captures the essence of the world in just an hour and a half. “Au hasard Balthazar” is recognized as one of the best films ever made.
Bringing up Baby (1938)
A classic comedy, considered one of the funniest comedies in American cinema history by the American Film Institute, even has a reference to the film’s feline character in its title. Yes, it’s not about a cat, but a tamed leopard that’s more playful and mischievous than the most domestic of cats: it rubs against Cary Grant’s trousers and Katharine Hepburn’s dress, purrs with an impressive bass, and lies on its back to be petted. Baby is sent from Susan’s (Katharine Hepburn) brother in Brazil, and she uses it as an excuse to spend more time with David (Cary Grant), the man she’s fallen for. The two actors, along with the leopard, make a very funny team that captivates you from the very beginning.
Cary Grant finds his place on the list once again, because “Bringing up Baby,” the comedy in which he plays a scientist victim to a wealthy young woman who lives capriciously (played by Katharine Hepburn), is just as successful as “Arsenic and Old Lace.” Just like “Arsenic,” “Bringing up Baby” appears in all the lists referring to the best classic comedies. Cary Grant and the headstrong Katharine Hepburn synchronize perfectly on screen, their states and lines are worthy of a comedic couple with a stage tradition. The film’s script and dialogue are equally excellent, and everything revolves around a charismatic feline. it is one of the best Most Memorable Films Of All Time.
Citizen Kane: Most Memorable Films Of All Time
“I don’t think any word can explain a man’s life, no matter who he is,” concludes a journalist at the end of his investigation in the film. However, there are certain personalities for which it’s worth trying to find the meaning of the last word spoken before death. One such character is Charles Foster Kane.
“Rosebud,” the word media mogul Kane (Orson Welles) utters just before dying, could mean anything: it could be a partner’s name, a lover’s, a code, an object. A reporter decides to investigate this subject and tries to reconstruct Kane’s life through interviews with the mogul’s acquaintances.
The curiosity of the public is amply satisfied through the reporter’s curiosity: Charles Kane exudes extravagance in everything he does. He’s born into a poor family, but his mother inherits a gold mine. After coming of age, Kane decides it would be “amusing” if he were to run a newspaper, so he devotes all his attention to the nonprofit daily “The Inquirer,” even at the risk of losing a million dollars each year. But what is Kane’s secret, tied to the last word spoken before his death?
Ali: Fear Eats The Soul: Most Memorable Films Of All Time
Many of German director Rainer Werner Fassbinder’s films are about impossible love. And they’re all good. I chose one of them almost at random, mostly because it illustrates the love between lovers from different generations and ethnicities. In Fassbinder’s film, the love between a woman over 60 who cleans staircases in apartment buildings and Ali, an Arab about 20 years younger than her, who has come to work in Germany and is seen by many as an outcast, can’t end well. The film is not syrupy; it’s a blend of loneliness and clarity, filmed very simply and completely unpretentious.
In The Mood for Love – on MUBI
“In The Mood for Love” is a classic of romantic films, just like most of Wong Kar-Wai’s films, but this one is the most renowned. He and she meet to discover whether their spouses are having an affair. After the affair is confirmed, the two continue to meet to console each other. The intimacy between them grows with each encounter, as does the attraction, but nothing happens because they don’t want to behave like their spouses. Or maybe it’s just a façade? Neither of them has the courage to take the first step, remaining in a painful yet extremely poetic suspension. Aided by perfect music and imagery, often shot in slow motion, “In the Mood for Love” is the film to watch when you’re in the mood for love.
The two are played by two renowned actors in Chinese cinema. Tony Leung is as enigmatic as a sphinx, while Maggie Cheung exudes a porcelain-like femininity.
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